Skip to main content

Konica Auto-S

Another charity shop find that cost me as little as £5, proves the point that if I am such a lucky guy when it comes to how to spend my lunch money!

By the late 50's, the rangefinder design was delivering the goods to all major camera manufacturers. It was easy and simple to implement, the know-how was around for almost 20 years now and people seemed to love the combination of relatively small size and decent optics. This demand in camera manufacturing gave the all-green for almost all camera manufacturers to produce the upper class, high quality rangefinders with fast, fixed lenses. In April 1959, Nikon released the legendary F which challenged the rangefinder design but it wasn't until the mid-sixtes that the professional photographers were persuaded about the virtues of the SLR design. That fast changing environment gave birth to a series of innovations in camera design and Konishiroku Konica did not sit on their hands. With the Auto-S, Konika produced the first auto-exposure rangefinder camera with a CdS meter.
Taken at f/ 2.8
In the heart of the camera lies a nicely yellow coated Konishiroku Hexanon 47 f/1.9 lens, five elements in five groups. You can find a nice surpise actually in lens - a nice integrated lens hood that extends in order to shield the lens from side light. I don't know how effective that really is but i suppose it is better than nothing. The viewfinder is nicely blue tinted with bright frame lines that move in order to adjust for paralax error. The shutter speeds range from 1sec to 1/500. This is a very good quality rangefinder, no doubt about it, everything made of steel and glass, the tactile sensation and fit and finish is superb.
As a user, this camera has proved to be a very good one. Maybe the only criticism is the relatively long distance that the shutter button has to travel to take the picture but it is something that it is easily getting used to. Also, the size of this camera is quite big, it is bigger and heavier than the Pentax MX and the Minolta XD. But the lens on this camera is first rate, just like any other fast prime lens of that vintage. I like the relatively low contrast and wide open it is very soft and gives a nice dreamy feel (see picture). Past f/5.6 there is no way to notice any difference between this lens and any other standard. Notice the light meter. It has two positions Hi and Lo, you need to remember to switch from one setting to the other according to the light levels otherwise you risk over/under exposure in auto mode. In general, i found the light meter to be accurate enough for negative film.
Taken at f/8
Conclusion
I like this camera a lot. It is beautifully made and the lens is an excellent performer. It was later succeeded by the more sought after Auto -S2 but honestly this is an excellent camera to have.
This camera has fuelled my curiosity for more fixed fast lens rangefinders cameras. Stay tuned, I will be keeping my eyes open for Electros/Hi-Matics/Canonets and see how they compare.

Comments

Popular posts from this blog

Nikon F801s

The venerable Nikon F801s  This is a review of the Nikon F801s and it's progenitor, the F801. I've been using the F801s for a few months now and I own a plain F801 since 2017. As it is usually the case, it was an impulsive buy, it was for £0.99 with no bids online and I decided that I wanted to compare it with the old trusty F801. * Background information and history. Nikon joined the AF race quite early on in 1986 - Minolta's surprising announcement of the Dynax 7000/9000 the year before forced Nikon to release a modified version of the F301 with an AF module - the F501AF. Canon joined a year later with the first EOS camera (EOS 650) featuring a new lens mount with no backwards compatibility. Nikon's F501 used a very basic AF module with 96 CCDs  - this was eventually replaced by the "legendary" (the emphasis is mine) AM200 module (an array of 20 by 10 CCDs) which found its way in all AF Nikons - from F401 to the F4 and even the third generation ...

Pentax MZ-50

Cute... This was an impulsive buy - found it for £5 and thought i could have it. It came with 2 CR-2 batteries and initial testing at the shop showed that it worked well. Anyway, the batteries alone cost more than £5. I am not sure how did Pentax experienced the 1990's. Pentax was big in the swinging and dancing 60's with the Spotmatic, did very well in the 70s with the MX and it was the LX that dominated Pentax's pro-line in the 80s. But in the 90s Pentax did not come up with any pro camera and did not introduce any exotic lenses either. The different iterations of the Z-1 were good cameras but in the same league such as the Nikon F90 or Canon EOS5. If you scroll down my blog you will find a review of the Z1 - a very good camera which I sold due to the complicated user interface.  I have to say that the photographic press was pleasantly surprised by the Z-20. I don't see a lot of them coming up online and some of the reviews I read describe it as functiona...

Olympus 35DC

Pretty little thing This is a review of the Olympus 35 DC rangefinder. After i shot a film with it, i realized that it needed a CLA, so i will come back to it in the future and add a long lasting impressions section to this post. You know when you are going to have a good day - you walk down the street to go to your local car boot sale and you find a one pound coin and then you go to the sale and you find a nice Olympus 35 DC for £2. The previous owner stated that the camera belonged to his father, used it a few years ago before switching to digital and all pictures came out fine. So i thought.... yea why not, lets not haggle on this one. There were plenty of 35mm fixed lens rangefinder from Olympus during the 60's - too many to remember - all sold with beautiful Zuiko lenses. The Olympus 35xx series peaked with the 35SP during the late 60's. The 35SP was succeeded by the 35RD - Olympus dropped the spot metering and the 7 elements lens was scaled down to...