Skip to main content

Yashica T-3

Ahh... at last, the elusive T-3, the predecessor of one of the most sought after cameras on the net, the T-4. This is a car-boot-sale find, an old lady sold it to me and apologised for the cracked LCD panel which works well though. It came loaded with film so all i had to do is take the camera out and start shooting.
The T-3 is a noticeable bigger camera than the T-4. It is weather-proof and of course the centre of attention is the 35mm f/2.8 Carl Zeiss lens.There is a rumour going on the internet that the lens is the same on both the T-3 and the T-4 but on the T-4 it was limited to open up to f/3.5 because it is too soft at f/2.8. That is not correct, these are two different lenses. The one on the T-3 is half a stop faster and the 4 elements are spread in 4 groups rather than 3 in the T-4. Other features include the New Angle Scope which is actually a waist level finder for hip-level shots. I cannot say that i found it terribly useful but i read that there are many people that do. Something interesting that i don't remember seeing it on the T-4, is the continuous shooting mode , where the camera continues to focus as long as you hold the shutter button down and it will take the pic at any time. Nice feature if you ask me.

Now, what about the picture quality. Mixed emotions. The pictures are nice and sharp but when i scan them on high resolution (2400 dpi) and check them on 100% zoom, it seems that it does not record that much detail as I though it would. It is in the Olympus Stylus category but not as good as the T-4, the Nikon L35AF or the DL SuperMini. Maybe I was expecting too much right from the start - being a T-series and carring a Zeiss lens. The pictures are good but as I said you can see the crispiness on pictures taken with the L35AF or the SuperMini but I can't see that with the T-3. Maybe it's my sample... i don't know. I've joined a discussion on a website about the T-3. It seems that some of the owners prefer to use the T-3 with colour film and the T-4 with b&w. I used both on mine, the colour one have a specific "brownish" hue on it, not sure why, I would expect the minilab to have corrected that. It is quite pleasing effect though, it gives a feeling of vintage on the pictures. B&w tones are fine, maybe a bit soft when there is not much light available (aperture close to 2,8 maybe?).

Note something interesting. The motordrive is a bit on the loud side but, just like the Nikon L35AF when you press the shutter button it takes the picture but it doesn't advance the film unless you release it. In other words, take the picture, move away, release the button and you have a stealth/silent camera. Please note that the camera uses one 2CR5 battery, a bit expensive and not so easy to find.

Conclusion

This is a nice camera. Not quite in the same league as the cameras fore mentioned but still a very good one. At the moment they tend to go cheap on the internet but this might change soon with all the hype going on about Yashica's T-series. They are well made cameras, weatherproof, maybe a bit chunky for my liking but they produce nice pictures and the f/2.8 is always a bonus. The only problem with this camera is that it does not stand out from the crowd as it is a good performer in every department but it does not really shine in any. Now, i am sure that there will be at least one person who will write and say that his T-3 takes better pictures than his T-4 or L35AF or the little Fuji and he might be right - I am writing about the samples I 've got in my hands. But at this point I do feel that everything that Yashica did with the T-4 is a major improvement over the T-3. As with all cameras, if you find it cheap, give it a go - you might be surprised.

Comments

  1. I am the guy who has the opposite experience from you! My T4 is a total step back in relation to the T3, no weather proof, no N.A. scope. Lens wise, like you say, it is a false Tessar, it is in fact an Unar, a Zeiss design abandoned before coating was available because of the extra air surfaces of the 4 groups. Whatever, with mine, colour rendition is very nice, very Zeiss. The lens, although not Contax T sharp is much sharper than my T4. The camera is big, ugly, but I too think it is the best of the series. I also have the T (the first one) and performance is also very ordinary, identical to the T4. Mind you, for me, any of the T series produces good results, as I am not a pixel counter or MTF junkie. As I only paid 10 € to have all 3 of them, I really can't complain, but I can see that my T3 is better, which is only fair as I had to fork out 5 € for it comparing to the 3€ that I paid for the T4!

    ReplyDelete
    Replies
    1. Hi Paulo,

      Thanks for your comments. My sample came with a cracked LCD and a strong suspicion of been dropped. My experience with the T4 is that there are some samples that give top-notch performance and others that are average. The review of the T4 on this blog was based on a sample was was excellent. After that i got two lemons. The T5 was good too but i feel that the L35AF is better lens-wise.

      Thank you for stopping by - this blog is a work on progress. I am in the process of film testing an Olympus OM-1n and a Nikon F4s - both reviews to follow.

      Regards,
      Pan

      Delete

Post a Comment

Popular posts from this blog

Nikon F801s

The venerable Nikon F801s  This is a review of the Nikon F801s and it's progenitor, the F801. I've been using the F801s for a few months now and I own a plain F801 since 2017. As it is usually the case, it was an impulsive buy, it was for £0.99 with no bids online and I decided that I wanted to compare it with the old trusty F801. * Background information and history. Nikon joined the AF race quite early on in 1986 - Minolta's surprising announcement of the Dynax 7000/9000 the year before forced Nikon to release a modified version of the F301 with an AF module - the F501AF. Canon joined a year later with the first EOS camera (EOS 650) featuring a new lens mount with no backwards compatibility. Nikon's F501 used a very basic AF module with 96 CCDs  - this was eventually replaced by the "legendary" (the emphasis is mine) AM200 module (an array of 20 by 10 CCDs) which found its way in all AF Nikons - from F401 to the F4 and even the third generation ...

Pentax MZ-50

Cute... This was an impulsive buy - found it for £5 and thought i could have it. It came with 2 CR-2 batteries and initial testing at the shop showed that it worked well. Anyway, the batteries alone cost more than £5. I am not sure how did Pentax experienced the 1990's. Pentax was big in the swinging and dancing 60's with the Spotmatic, did very well in the 70s with the MX and it was the LX that dominated Pentax's pro-line in the 80s. But in the 90s Pentax did not come up with any pro camera and did not introduce any exotic lenses either. The different iterations of the Z-1 were good cameras but in the same league such as the Nikon F90 or Canon EOS5. If you scroll down my blog you will find a review of the Z1 - a very good camera which I sold due to the complicated user interface.  I have to say that the photographic press was pleasantly surprised by the Z-20. I don't see a lot of them coming up online and some of the reviews I read describe it as functiona...

Olympus 35DC

Pretty little thing This is a review of the Olympus 35 DC rangefinder. After i shot a film with it, i realized that it needed a CLA, so i will come back to it in the future and add a long lasting impressions section to this post. You know when you are going to have a good day - you walk down the street to go to your local car boot sale and you find a one pound coin and then you go to the sale and you find a nice Olympus 35 DC for £2. The previous owner stated that the camera belonged to his father, used it a few years ago before switching to digital and all pictures came out fine. So i thought.... yea why not, lets not haggle on this one. There were plenty of 35mm fixed lens rangefinder from Olympus during the 60's - too many to remember - all sold with beautiful Zuiko lenses. The Olympus 35xx series peaked with the 35SP during the late 60's. The 35SP was succeeded by the 35RD - Olympus dropped the spot metering and the 7 elements lens was scaled down to...