The Film Retriever

The Brilliant 700si  I didn't need a Minolta 700si. I always wanted one but I didn't need it. I have a nice collection of user cameras and I prefer to spend the £50 (average 700si value) on buying films. But I got a notification of a new listing with a 700si for £5, so I didn't give it any second thought. Minolta got in a bit of a muddle in the early 90s. The xi series was loaded with unnecessary features that gave very little to no control to the photographer. Despite the initial raving reviews of the 7xi, very few photographers managed to bond with it (me being one of them). The only cameras that kept Minolta alive where the 2xi, 3xi and Spxi - entry level models that sold well with amateurs. With the 700si, Minolta planted themselves back into the competitive arena of the advanced amateur cameras. The Minolta 700si was the camera that the 7xi should have been from the start. There are some minor updates regarding the AF module and light metering department a...

The Rolleicord in question  Those who have been browsing through this blog would probably have noticed that medium format film cameras are not my popular choice. A combination of being expensive and quite bulky to use meant that I tend to prefer 35mm cameras. Over the years I dipped my toe in the medium format arena with different cameras (Nettar, Ikoflex, box cameras) but I would eventually sell them off to recuperate the expense. Somehow I remained inconvenienced as to whether this is for me. But an advert for an old camera came up locally and it was for free, so I thought "why not?". The camera in question was an old Rolleicord. I can distinguish models III, IV and the different varieties of the V but for the different versions of the I and II, it seems I need some help.   Identifying the camera and serial numbers. Rolleicords I, Ia and II had so many different models with different lenses that the only way to correctly identify which one you have is only v...