The Film Retriever

The Classic Minolta SR-T101  And as it is usually the case, another Minolta - an SR-T101- landed on my lap, wearing a pristine Rokkor MC-II 58 f/1.4. Part of an online bundle deal containing different (not photographic related) stuff, I made an offer for £45 and was accepted. This post makes very little sense on its own, it is more like a long winded postscript to my previous post about the SR-T303 to which I constantly compare the  SR-T 101 against. Have a read of my SR-T 303 review first ( found here ). My SR-T101 belongs to the second version of SR-T101 (sn# 1.964.xxx) and judging by the "1B" code stumped inside, it was made in February 1971. It came with a matching period Rokkor MC-II (sn# 5.731.xxx), very likely to have been matched from the beginning of their lives. The camera had slightly sticky slow speeds below 1/8 but with a bit of exercise speeds appear to be very close to the shutter speeds of the Canon EOS 10D. Also, one if the strap lugs was loose so...

The largly unknown Vivitar 35ES  A few months ago I came across this little camera during one of my visits to the local charity shop. It looked in poor condition and I wasn't quite convinced that it worked well but for the grand total of £25, I decided to take the plunge. This is a Vivitar 35ES from 1978, it was sold under other brand names such as Revue 400ES and there is a Prinz version out there (in chrome!) - these cameras were churned out by the Cosina factory and there are minor differences between them all. Minolta must have bought the same chassis/rangefinder/meter assembly from them as the Minolta 7Sii looks very similar and displays the same issues as the Vivitar/Revue siblings (read on). Not sure if Minolta used the same lens or they put their own - would they call Rokkor a lens they didn't make? (remember the Celtic lens line for Minoltas? They were not made by Minolta, that's why they are 'Celtic' and not 'Rokkor'). Minolta dropped ...